27-year old Visual Performance Artist-Filmmaker Jillian Mayer [1][2][3][4][5][6] (Full Frontal) in #PostModem (2013) [Short Film]
[ Original Link: https://vimeo.com/88035957 ]
#PostModem: ‘MegaMega Upload’ Song
#PostModem: ‘Day Chip’ Song
Jillian Mayer (born December 21, 1986) is a visual performance artist and filmmaker.
Mayer‘s video works and performances have been displayed at galleries and museums internationally and film festivals such as SXSW and Sundance. She was recently featured in Art Papers and in ArtNews discussing identity, Internet and her artistic practices and influences.
Recent solo projects include Family Matters at David Castillo Gallery, Miami (2011), Love Trips at World Class Boxing, Miami (2011), Erasey Page at the Bass Museum of Art (2012) and Precipice/PostModem at Locust Projects (Miami) for which the gallery received a Harpo Foundation grant.
Mayer has also worked with anti-surveillance “CV dazzle” makeup. In MakeUp Tutorial “HOW TO HIDE FROM CAMERAS,” she guides YouTubers with a makeup tutorial that teaches viewers how to hide from cameras and facial recognizing algorithms. “We all know that cameras are watching our every step,” warns Mayer. The implementation of this makeup tutorial in your everyday life will be key to existing track-free.
She is largely known for her viral video, “I Am Your Grandma,” which CBS blogger William Goodman described it as “oddly hypnotizing.”
In 2010, her video Scenic Jogging was one of the 25 selections for the Guggenheim’s YouTube Play: A Biennial of Creative Video and was exhibited at Solomon R. Guggenheim Museum, New York; Peggy Guggenheim Collection, Venice, Italy; Guggenheim Museum, Bilbao, Spain; and Deutsche Guggenheim, Berlin, Germany.
Mayer is represented by David Castillo Gallery.
Mayer has been working on an upcoming project titled “400 Nudes”, La Biennale de Montréal, Montreal, Canada. October 22, 2014 – April 1, 2015.
Mayer is the front woman for #PostModem, a performance collaborative that makes meta-pop music based in art/web theory. Their original songs will be used in a feature-length musical film that Mayer is writing, directing and producing in collaboration with Lucas Leyva. The satirical film takes place in the future and tackles digital identity and net neutrality. The film extends to software apps, poetry, installations and Internet experiences.
Life and Freaky Times of Uncle Luke, commissioned by the Borscht Film Festival, is a collaboration between Miami artist Jillian Mayer (video featured in the Guggenheim video bienniale), Rakonur Films (Cocaine Cowboys, The U, Square Grouper) and Luther Campbell (2 Live Crew). The film is a modern Miami adaptation of the 1962 French short film “La Jetee.” Told entirely through a series of installations created by Mayer, the film recounts Luke’s rise to fame as he changes the face of hip-hop and fights for first amendment rights- and later as he ushers Miami into a golden era of peace and prosperity as Mayor. Everything changes when a nuclear meltdown at Turkey Point turns Miami into a radioactive wasteland filled with mutants, and Luke is the only survivor left unscathed.
In 2017, Jillian performed the voice of a robot named Susan for the science-fiction film Everything Beautiful is Far Away.
Mayer is a recipient of the prestigious South Florida Cultural Consortium’s Visual/Media Artists Fellowship 2011, Cintas Foundation Fellowship 2012, and was named one of the “25 New Faces of Independent Film” by Filmmaker Magazine. This year she has been awarded the Elsewhere Museum/National Endowment of Arts Southern Constellation Fellowship, Zentrum Paul Klee Fellowship (Bern, Switzerland) and the Sundance Institute’s New Frontier Story Lab Fellowship.
