33-year old actress-singer-model Kate Miner AKA Kate Lang Johnson [1][2][3][4][5][6] Nude Debut (Breasts), Emma Kenney, Shanola Hampton, Katey Sagal, Ashley Romans, Melissa Paladino, Paget Kagy & Emmy Rossum in Shameless [S9E7]
Mega.Co.Nz
Kate is best known for her work in Showtime’s Emmy Award winning Shameless, USA Network’s Necessary Roughness (2011) and the NBC’s miniseries Persons Unknown (2010).
Kate was a lead actor on Persons Unknown and Season 3 of the series Necessary Roughness, under her married name of Kate Miner. She also had leading roles in the ABC Family pilot “Phys. Ed” and the NBC pilot “Holding Patterns.” though neither show was picked up to series.
She also appeared in films The Campaign (2012) opposite Will Ferrell and Fifty Shades of Black (2016) with Marlon Wayans.Additional film credits include Fired Up, A Leading Man, Street and the indie horror flick Behind the Mask: The Rise of Leslie Vernon.
She has been married to her college sweetheart, musician Justin Miner, since August 26, 2012 and plays mandolin and keys in their band Miner.Their band performed on Season 3 of Hart of Dixie. Kateand her husband have composed songs featured on Elementary (TV series), House of Lies, and Hart of Dixie as well as the feature film Project Almanac.
In 2018, Kate released an EP with her new project, Winslow with bandmate Briana Lane. The duo are signed with Kobalt under AWAL Records.
In her modeling capacity, Kate appeared in national campaigns for Gap Fit, Victoria’s Secret, Skechers, Levi’s, Abercrombie & Fitch, Hollister, Zinc, Fabrizio Gianni, and DKNY.
Kate Lang Johnson and Musician Justin Miner Get Married

Kate Lang Johnson wed her musician beau Justin Miner (of the band Miner, of which Johnson is also a member), her rep confirms exclusively to PEOPLE.
Johnson and Miner, who met while attending University of Southern California, wed on Aug. 26 in Palos Verdes, Calif., at La Venta Inn. The bride, 28, chose an Enzoani ivory lace mermaid dress. For a personal touch, she added a veil, which she borrowed from a happily married friend. The groom wore a grey Calvin Klein suit.
Fellow actress Daisy Betts did the party favors, which were âpersonalized bottles of olive oil, since I love cooking,â says Johnson. Actress-designer India de Beaufort made the coupleâs favorite carrot cake. And Angelina Panelli did the hair and makeup, including a style change after the ceremony and before the reception.
The couple stayed at the Terranea in Palos Verdes during the wedding before honeymooning in Jamaica. Then, the newlyweds made a trip to New York to see their alma mater, USC, play Syracuse University and also celebrate the brideâs 28th birthday.
Winslow “Out of My Head”
“Conversation 16”
Miner is a folk-rock, family band based in Los Angeles, formed by husband and wife Justin & Kate Miner along with Justinâs brother Jeremy Miner. After self-producing their debut album Into The Morning (2014) in a spare bedroom with a single microphone, singles “Hey Love” and “Carouselâ quickly racked up millions of plays, leading the band to recruit Tobias Urbanczyk on drums and head out on a national club tour and festival dates. The bandâs swift ascent soon got the attention of producer Phil Ek (Fleet Foxes, The Shins, Modest Mouse, Band of Horses), who signed on produce their sophomore album.
The band was on the road halfway across the country when the phone call came. Kateâs mother had been diagnosed with a fatal neurodegenerative condition called Huntingtonâs Disease, and due to its genetic basis, Kate and each of her sisters had a 50% chance of carrying the disease. The facts were difficult to digest; there was no cure, and if Kate carried the Huntingtonâs gene she could show symptoms as early as the next five years. Following some somber deliberation, Kate and her siblings made the decision to start the lengthy counseling and testing process in order to find out if they carried the deadly gene.
After the tour they returned home, and yet everything was different. Between medical appointments, Justin and Kate continued to write the songs that would form the second album, while simultaneously trying to come to terms with their new reality. âWe knew the new record would inevitably sound and feel different,â Kate says, âbut we were also determined to remain optimistic in both our lives and the music.â While reading through an account of Shackletonâs Endurance voyage in a hospital waiting room, Justin came across a passage that mentioned Tuanaki, a âlostâ island paradise in the South Pacific that had seemingly vanished into the sea. âThe image just resonated deeply with both of us,â Justin explains, âWe realized we both were searching for a feeling and time we had lost, before that phone call.â As they neared the end of the writing process, it became clear the album would share the islandâs name.
Kate had her blood drawn the same week the band departed for Seattle to record Tuanaki, knowing the results would be waiting for them when they returned to Los Angeles. The band spent every day of the next six weeks in a focused frenzy, grateful for the distraction of work, but also inescapably aware of their unresolved fate. Kate says, âWe were forced to confront our mortality on a daily basis during the recording process, but that also reminded us to be grateful for every moment spent doing what we love most.â Looking to capture the scope and sentiment of the new songs, they expanded their sonic palette, largely trading the mandolin and banjo for keyboards and electric guitar. âMusic has always been our emotional outlet, but the situation just made it all the more important for us to try and find some sort of catharsis through the music,â says Justin.
The resulting recordings run a varied terrain of emotions and sounds. Songs like lead single âBetter Instinctsâ and âBonfire Cabaretâ retain the familiar anthemic choruses, while adding a lyrical tension born of darker impulses. The melancholic title track âTuanakiâ builds to an epic rock conclusion, then leaves the listener adrift on the sounds of the ocean as it flows seamlessly into âAnchors Aweighâ, where the songâs protagonist attempts to find his way home. âThe Barley Birdâ is a moody retelling of Keatsâ Ode To A Nightingale, while the elegiac yet hopeful closer âCarry Me Homeâ edges towards classic rock, carried by soaring three part harmonies and plaintive banjo over acoustic guitar.
Once home from the studio, the news was bittersweet. The disease had spared Kate, but both of her sisters had inherited the mutated gene from their mother. âIt was the hardest and most surreal time of our lives,â says Kate, âbut it brought all of us closer together, and itâs continued to remind us to stay present in the moment.â





